WISEMAN Traditional French Flute Case
Choice of Faux Leather or Carbon Fibre finish
Fixes your flute in place – no rattling inside the case for maximum protection
Incredibly strong
Fits any flute, including B foot and C foot
LIFETIME Warranty
Please note, the lining colour may vary depending on availability. Just give us a call or send us an email to find out what we have available. For a list of possible lining colours, please refer to Wiseman’s website.
Choice of Faux Leather or Carbon Fibre finish
Fixes your flute in place – no rattling inside the case for maximum protection
Incredibly strong
Fits any flute, including B foot and C foot
LIFETIME Warranty
Please note, the lining colour may vary depending on availability. Just give us a call or send us an email to find out what we have available. For a list of possible lining colours, please refer to Wiseman’s website.
Choice of Faux Leather or Carbon Fibre finish
Fixes your flute in place – no rattling inside the case for maximum protection
Incredibly strong
Fits any flute, including B foot and C foot
LIFETIME Warranty
Please note, the lining colour may vary depending on availability. Just give us a call or send us an email to find out what we have available. For a list of possible lining colours, please refer to Wiseman’s website.
WISEMAN FRENCH CASE
This is Wiseman’s traditional French flute case. All the joints are suspended and locked into place by foam blocks. It is fully velvet lined on the inside with a carbon fibre or faux leather finish on the outside. Designed to fit all make and model of flutes regardless of B or C footjoints by using the included C extension block.
Very strong – maximum protection from shock-absorbing foam blocks, preventing relayed shock through the case that occurs with traditional wooden blocking. N.B. All joints are firmly held in place; they cannot rattle or rotate or fall out when the case is opened.
WISEMAN CASES
Howard Wiseman’s journey to school consisted of walking two miles and catching a train in the rush hour every morning. This was fine apart from the three days on which he had to carry his bassoon! At this point the journey would become a nightmare. As a young teenager the weight of carrying the bassoon and the painful handle constantly digging into his hands seemed an unfair punishment for playing such a lovely instrument. Furthermore, the large traditional bassoon case was never welcomed by other passengers on a packed, busy train.
As a solution to the problem Howard made himself a case! The small tubular case was less than half the volume of any regular case and could be easily slung over the shoulder or worn as a backpack. Problem solved! Shortly after, Howard’s bassoon teacher commissioned Howard to make the same case for him. Being Principal bassoon in the English Chamber orchestra and the Chamber Orchestra of Europe, Robin O’Neill was Howard’s perfect first customer! Before long the “Wiseman” tubular bassoon case had spread throughout the professional circuit in London.
By the time Howard was 17, he’d built cases for Principal bassoonists in the Vienna Philharmonic, Berlin Philharmonic, Paris Opera and a large number of major European orchestras. It all happened because of the bassoon! The very compact design, stylish appearance and superb protection for the instruments was soon noticed by other instrumentalists.
Demand from all other instruments in the woodwind section quickly escalated. As is often the case, someone’s practical solution to a problem, quickly turned into a business.
